Meet every face. Judge us freely. We are used to it.
Great telly without killing anyone in the process. Staff first. No bullies. That is the whole company.
🎬 Film in Spain. Without losing the plot.
ZERO EXCUSESBEAR IS THE CEO. HE INSISTED.4 MILLION VIEWS. NOT A PENNY SPENT.PERMITS BEFORE YOUR FLIGHT LANDSCHEAPER THAN THE COMPETITION. NOT CHEAP.ROMAN KNOWS A BLOKE320 DAYS OF SUN. 45 OF EXCUSES.ASK ABOUT THE PRAWNSFILM IN SPAIN. WITHOUT LOSING THE PLOT.@DAVID.PESELLINTHE ALGORITHM CAN'T STOP WATCHINGOI. READ THIS.ZERO EXCUSESBEAR IS THE CEO. HE INSISTED.4 MILLION VIEWS. NOT A PENNY SPENT.PERMITS BEFORE YOUR FLIGHT LANDSCHEAPER THAN THE COMPETITION. NOT CHEAP.ROMAN KNOWS A BLOKE320 DAYS OF SUN. 45 OF EXCUSES.ASK ABOUT THE PRAWNSFILM IN SPAIN. WITHOUT LOSING THE PLOT.@DAVID.PESELLINTHE ALGORITHM CAN'T STOP WATCHINGOI. READ THIS.
🚨 MASSIVE NEWS · SIT DOWN FOR THIS
4,000,000
VIEWS.
IN SEVEN DAYS · FROM THREE VIDEOS
TOTAL AD SPEND:£0
The algorithm didn't stand a chance. Share responsibly.
📣 OUR MANIFESTO · SAY IT LOUD
Proudly Ballsy
01
FOUR MILLION VIEWS
Seven days. Three videos. Not a penny on ads. We don’t chase the algorithm. It chases us.
02
TWENTY YEARS OF PROPER TELLY
BBC. Channel 4. Channel 5. ITV. Twenty commissions. We were making shows before your other fixer had a logo.
03
ONE PARTNER. NO HANDOFFS
Development, production and fixing under one roof. The same people from day one to final frame. Nobody gets passed to a mate.
04
STAFF FIRST. NO BULLIES
Great telly without killing anyone in the process. That is the whole company. It also happens to make better telly.
05
FILM IN SPAIN. WITHOUT LOSING THE PLOT
Permits before your flight lands. 320 days of sun. A Pomeranian in charge. Bring the brief. We bring the rest.
06
BRAVE ENOUGH TO EXPOSE THE WEINSTEINS
Every industry has them. Most companies look at the floor. We name the behaviour, we protect the people it lands on, and we make the programme anyway.
07
FAIRNESS FOR EVERY MEMBER OF THE TEAM
Runner to exec. Same respect, same credit, same right to say no. Nobody on a Ballsy shoot goes home smaller than they arrived.
08
TURN UP WITH A CAMERA. WE’VE DONE THE REST
We know the entire process, so you don’t pay to learn it. Permits, crew, locations, budgets — fixed weeks in advance. That saves companies thousands. Every time.
09
FACTUAL DEVELOPMENT. WE RAISE THE BAR
Factual is our specialism and where we are totally unique. Bring a true story, a hunch, a half-idea. We’ll try our very best to make it higher quality, more cinematic and harder for a commissioner to say no to.
10
WE PROMISE TO CARE ABOUT OUR CREW
Not a slogan. A promise. Fed, paid, rested, credited and listened to. Cared-for crews shoot better pictures. We have twenty years of proof.
👋 Say hello · Proper telly people, actually friendly
Friendly voice. Twenty years of form.
REC
SC 01 · BALLSY.TV
The number on day one is the number on wrap day
TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.
Not a staff page. A cast list. A UK talent pool based in Spain — so you know exactly what you're getting. Stories found, access fixed, calls answered. Every single time.
Small team. Big mouths. Every one of them answers their phone — wild concept, we know.
Ballsytv
CAMERAS READY
"What happened to me won't happen to anyone else who works with us. We're good people who work with great people we care about."
Chief Executive Officer & Hardest Worker on the Payroll
The sexiest Pom on this coast — and he knows it, which is the problem. First in, last out, bow tie non-negotiable. Struts Fuengirola like he holds the freehold, kicks off at bin bags for quality-control reasons, and is currently seeing half the town while the other half waits its turn. Too gorgeous to argue with. The face has diplomatic immunity. The rest of us just carry his water bowl.
The biggest balls on the Costa del Sol — and that's saying something round here. Takes a project from a scribble on a napkin to a full multi-camera set-up without breaking a sweat. Cheeky, opinionated, and not remotely sorry about it. The buck stops with him. Just don't push your luck — he bites back.
Our format queen — a specialist in factual and reality who can build a hit with her eyes shut. So plugged into Marbella she's on first-name terms with everyone, chefs included. Bling, jet-set glamour, and a black book full of the posh heads who make this coast what it is. Formats and beautiful people — Triggs is your girl.
Fluent in AI and analytics, allergic to boring content. Give her a "who the hell are they" and she'll hand you back a brand people actually follow. Frankly, she could make her own farts go viral — that's the level we're working with here.
David's husband — but don't let that fool you, he earned his seat at this table long before he got the ring. The language, the culture, the little black book of favours owed. Opens doors nobody else can, secures the permits everyone else is still waiting on, and is best mates with the local police. No access, no drama, no problem.
Siesta policy: none on shoot days. Sadly. · Mañana: not a word in this office. · Sangría: after wrap only. · The boss: orders half a chicken. Every time.
Filmed in Spain
Postcards from Spain
We film where othersholiday
Every postcard is a place we have shot. All of them ninety minutes from Málaga airport.
The only real TV fixers based on the Costa del Sol. Twenty years of BBC, Channel 4, Channel 5 and ITV. Great telly without killing anyone in the process.
