Up to 30% back on your spend. We do the paperwork. You do the champagne. Bear does the invoice, which is why it is mostly paw prints.
Great telly without killing anyone in the process. Staff first. No bullies. That is the whole company.
🎬 Film in Spain. Without losing the plot.
ZERO EXCUSESBEAR IS THE CEO. HE INSISTED.4 MILLION VIEWS. NOT A PENNY SPENT.PERMITS BEFORE YOUR FLIGHT LANDSCHEAPER THAN THE COMPETITION. NOT CHEAP.ROMAN KNOWS A BLOKE320 DAYS OF SUN. 45 OF EXCUSES.ASK ABOUT THE PRAWNSFILM IN SPAIN. WITHOUT LOSING THE PLOT.@DAVID.PESELLINTHE ALGORITHM CAN'T STOP WATCHINGOI. READ THIS.ZERO EXCUSESBEAR IS THE CEO. HE INSISTED.4 MILLION VIEWS. NOT A PENNY SPENT.PERMITS BEFORE YOUR FLIGHT LANDSCHEAPER THAN THE COMPETITION. NOT CHEAP.ROMAN KNOWS A BLOKE320 DAYS OF SUN. 45 OF EXCUSES.ASK ABOUT THE PRAWNSFILM IN SPAIN. WITHOUT LOSING THE PLOT.@DAVID.PESELLINTHE ALGORITHM CAN'T STOP WATCHINGOI. READ THIS.
🚨 MASSIVE NEWS · SIT DOWN FOR THIS
4,000,000
VIEWS.
IN SEVEN DAYS · FROM THREE VIDEOS
TOTAL AD SPEND:£0
The algorithm didn't stand a chance. Share responsibly.
📣 OUR MANIFESTO · SAY IT LOUD
Proudly Ballsy
01
FOUR MILLION VIEWS
Seven days. Three videos. Not a penny on ads. We don’t chase the algorithm. It chases us.
02
TWENTY YEARS OF PROPER TELLY
BBC. Channel 4. Channel 5. ITV. Twenty commissions. We were making shows before your other fixer had a logo.
03
ONE PARTNER. NO HANDOFFS
Development, production and fixing under one roof. The same people from day one to final frame. Nobody gets passed to a mate.
04
STAFF FIRST. NO BULLIES
Great telly without killing anyone in the process. That is the whole company. It also happens to make better telly.
05
FILM IN SPAIN. WITHOUT LOSING THE PLOT
Permits before your flight lands. 320 days of sun. A Pomeranian in charge. Bring the brief. We bring the rest.
06
BRAVE ENOUGH TO EXPOSE THE WEINSTEINS
Every industry has them. Most companies look at the floor. We name the behaviour, we protect the people it lands on, and we make the programme anyway.
07
FAIRNESS FOR EVERY MEMBER OF THE TEAM
Runner to exec. Same respect, same credit, same right to say no. Nobody on a Ballsy shoot goes home smaller than they arrived.
08
TURN UP WITH A CAMERA. WE’VE DONE THE REST
We know the entire process, so you don’t pay to learn it. Permits, crew, locations, budgets — fixed weeks in advance. That saves companies thousands. Every time.
09
FACTUAL DEVELOPMENT. WE RAISE THE BAR
Factual is our specialism and where we are totally unique. Bring a true story, a hunch, a half-idea. We’ll try our very best to make it higher quality, more cinematic and harder for a commissioner to say no to.
10
WE PROMISE TO CARE ABOUT OUR CREW
Not a slogan. A promise. Fed, paid, rested, credited and listened to. Cared-for crews shoot better pictures. We have twenty years of proof.
👋 Say hello · Proper telly people, actually friendly
Friendly voice. Twenty years of form.
REC
SC 01 · BALLSY.TV
The number on day one is the number on wrap day
TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.
Because the incentives are real. But nobody hands them to you on a plate — you have to apply for them, and most productions cock that part up.
🇬🇧 UK broadcast brain. Spanish WhatsApp. UK sensibility. We just do it from Spain. Which is exactly why the applications don't trip us up.
The Bit Nobody Puts On A Brochure
✨ These are applied-for incentives. Not automatic refunds.
✕ There's a formal application, eligibility criteria, and a deadline — miss any of them and there's no rebate, full stop.
✕ Paperwork errors and compliance gaps kill more claims than bad ideas ever do.
✕ Getting the numbers right on paper is only half the job. Someone still has to make the actual film good.
BOLLOCKS.
That's what "free money" is. It's not free, it's not automatic, and it's not money until the application's actually approved. Funded properly, on the other hand? That's exactly what we do.
Our Secret Sauce
🎥 We don't just know the paperwork. We know how to make a good idea sparkle on camera while we file it.
That's the actual difference. Plenty of fixers can point you at a form. We build the incentive application into development alongside the creative — so the thing that gets funded is also the thing worth watching.
The Application
✨ We file it right, first time.
Eligibility checks, compliance documents, deadlines — handled before they become a problem, not after.
The Creative
❤ We don't let the tax code drive the story.
The incentive shapes the budget, not the idea. Your project stays yours — we just make sure it's funded properly.
For Reference
✨ The headline numbers, if you qualify.
Every incentive has eligibility rules and an application process. None is automatic. These are the current headline rates; your production needs its own professional assessment.
30% / 25%
General Spanish incentive
30% on the first €1m of eligible Spanish spend, then 25% on the remainder, subject to the qualifying rules.
Requires formal application
Up to 54%
Canary Islands
An enhanced regime can reach 54% on the first €1m and 45% thereafter, depending on spend and eligibility.
Requires formal application
+ More
Co-production stack
Official UK co-production status can unlock further funding routes.
Requires treaty status & paperwork
Headline bands, not a quote — rates vary by region, spend and treaty status. We're producers, not tax lawyers: every application gets verified with your accountants before it touches a budget line.
Want the detail? Start with the official Spain Film Commission rates, then let qualified tax and legal advisers test them against your budget. Ballsy can help assemble the production facts without turning the call into an accountancy séance. Rates checked 11 August 2026.
The only real TV fixers based on the Costa del Sol. Twenty years of BBC, Channel 4, Channel 5 and ITV. Great telly without killing anyone in the process.
