Format development. If it isn't on air, it is because the channel hasn't launched.
Great telly without killing anyone in the process. Staff first. No bullies. That is the whole company.

TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.
Real people answer. No call centre. No attitude. Just experience, and a Pomeranian who thinks he runs it.
Seven days. Three videos. Not a penny on ads. We don’t chase the algorithm. It chases us.
BBC. Channel 4. Channel 5. ITV. Twenty commissions. We were making shows before your other fixer had a logo.
Development, production and fixing under one roof. The same people from day one to final frame. Nobody gets passed to a mate.
Great telly without killing anyone in the process. That is the whole company. It also happens to make better telly.
Permits before your flight lands. 320 days of sun. A Pomeranian in charge. Bring the brief. We bring the rest.
Every industry has them. Most companies look at the floor. We name the behaviour, we protect the people it lands on, and we make the programme anyway.
Runner to exec. Same respect, same credit, same right to say no. Nobody on a Ballsy shoot goes home smaller than they arrived.
We know the entire process, so you don’t pay to learn it. Permits, crew, locations, budgets — fixed weeks in advance. That saves companies thousands. Every time.
Factual is our specialism and where we are totally unique. Bring a true story, a hunch, a half-idea. We’ll try our very best to make it higher quality, more cinematic and harder for a commissioner to say no to.
Not a slogan. A promise. Fed, paid, rested, credited and listened to. Cared-for crews shoot better pictures. We have twenty years of proof.
TEAM // FORMATS & DEVELOPMENT
Our format queen. Marbs through and through.
Triggs has the best eye on this coast for telling complete bullshit apart from a genuinely decent idea — instantly, no second read required. Bold, brave, and one of the loveliest people you will ever work with.

Spots bullshit in under a second · has never once been wrong · Marbs in mourning
Triggs. Format queen. Give her your idea and she'll tell you inside a second whether it's a show or a hobby.
"Show Triggs an idea and she'll tell you in ten seconds if it's a hit or nonsense. She's never once been wrong."
— DAVID, BALLSY.TV

Sit her in a pitch meeting and watch her separate the gold from the noise in real time.
Can spot complete bullshit from across a room, usually before you've finished the sentence.
Just as quick to spot the genuinely brilliant idea hiding inside a messy, rambling pitch.
Properly, actually funny — the kind that makes a twelve-hour shoot day feel like nothing.
Bold enough to say what everyone else in the room is quietly thinking.
SHE DOESN'T NEED A FOCUS GROUP. SHE JUST KNOWS.
TALENT LIKE THIS DOES NOT TURN UP TWICE ON THE SAME COAST.
Triggs is a format queen with the sharpest eye on this coast for the difference between complete bullshit and a genuinely decent idea. She doesn't need a second read, a focus group, or a committee. She just knows.
She's also properly funny — not "funny for a development exec," actually funny. And she's bold and brave with it: she'll say the true thing out loud when everyone else is tiptoeing around it.
Underneath all of that is a genuinely lovely woman. Talented enough that she's going to leave skid marks all over the Costa del Sol — not because she's loud about it, but because the work speaks for itself, every single time.
Everyone wants the format queen in their room. Bring your idea early, however rough. Watch what she does with it.
Pitch Triggs your idea.
EMAIL TRIGGS →The boss is hangry. Uber Eats is an hour late. 708,351 people have watched him wait. The receipt is real. The onions were not authorised.
Apologise to the CEO →
Fed, watered, in the sun and still smiling at wrap. That is not luck — that is twenty years of logistics wearing sunglasses.
Five dishes. No bullies in the kitchen. Dinner is at ten, like normal people.
Siesta policy: none on shoot days. Sadly. · Mañana: not a word in this office. · Sangría: after wrap only. · The boss: orders half a chicken. Every time.
Every postcard is a place we have shot. All of them ninety minutes from Málaga airport.
One night. One phone call. One production company on the Costa del Sol that did not go to bed. A 3D story, told by moonlight.
Press play Shoot in SpainWhatsApp DavidWe do it for ourselves. Imagine what we do for you.
Watch the reel →Triggs has an idea for that. He had it before you finished the sentence. It is probably a returnable series.
The 3D story of how Spain gets fixed while London sleeps.