
TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.
Real people answer. No call centre. No attitude. Just experience, and a Pomeranian who thinks he runs it.
Seven days. Three videos. Not a penny on ads. We don’t chase the algorithm. It chases us.
BBC. Channel 4. Channel 5. ITV. Twenty commissions. We were making shows before your other fixer had a logo.
Development, production and fixing under one roof. The same people from day one to final frame. Nobody gets passed to a mate.
Great telly without killing anyone in the process. That is the whole company. It also happens to make better telly.
Permits before your flight lands. 320 days of sun. A Pomeranian in charge. Bring the brief. We bring the rest.
Every industry has them. Most companies look at the floor. We name the behaviour, we protect the people it lands on, and we make the programme anyway.
Runner to exec. Same respect, same credit, same right to say no. Nobody on a Ballsy shoot goes home smaller than they arrived.
We know the entire process, so you don’t pay to learn it. Permits, crew, locations, budgets — fixed weeks in advance. That saves companies thousands. Every time.
Factual is our specialism and where we are totally unique. Bring a true story, a hunch, a half-idea. We’ll try our very best to make it higher quality, more cinematic and harder for a commissioner to say no to.
Not a slogan. A promise. Fed, paid, rested, credited and listened to. Cared-for crews shoot better pictures. We have twenty years of proof.
Creative Director for hire
David Kavanagh, Creative Director. Two decades inside BBC, Channel 4, Channel 5 and ITV development. Hire him to run your slate, land your commissions and teach your team how it's done. UK and Spain. Day one to final frame.
The Ballsy mantra
We take your idea by the hand on day one and we don't let go until the final frame is graded, delivered and on air. Yes, we're clingy. That's the service.

Most creative directors left the edit years ago. David never did.
Twenty years inside BBC, Channel 4, Channel 5 and ITV development. Twenty commissions. Every development course going, and the one that matters most: being in the room when the answer was no, and coming back with yes.
British Airways and Virgin trusted him with their brands. Ballsy.tv goes viral several times a month without spending a penny on ads. Luck doesn't do that three times a month. Development does.
Hire him and you get a creative director who still writes the treatment, still cuts the taster and still picks up the phone to the commissioner. Stubborn, not difficult.

Most hired execs leave and take everything with them. David leaves it behind on purpose.
Twenty years of hard-won development knowledge, passed down to your team while the slate gets built. Your APs learn how a format actually gets picked up. Your producers learn which door, which day and which sentence. Your company gets stronger every week he's in it.
By the time he walks out, your team can do the job without him. That is the point.

The channels, the commissioners, the funding rounds and the paperwork. Twenty years of knowing who to call and what to say.
The locations, the permits, the crews, the moonlight. Access from families in a media storm to police and national institutions.
Most companies hand you off at the border. We live on both sides of it.

Hand held the whole way. Here is exactly what that means.
Other creative directors give you a deck and a handshake.
We give you a creative director, a production company, a Spanish fixing team, a UK broadcast address and a training programme for your staff, all through one door and on one invoice. Nobody else on either coast does the full 360 from sentence to screen and leaves your team better than they found it.
We checked.

Staff first. No bullies. Runners and talent get the same rule.
Everyone is due a fair day's work they enjoy. That was the founding principle of Ballsy.tv and it comes with David into your building. If that sounds soft, look at the commissions.

Day rate, monthly retainer or per project. Development slate, single format, or a knowledge handover for your team. Ask, and you'll get a straight answer within the day.
Based on the Costa del Sol. Works UK time. Answers his own phone.
Five dishes. No bullies in the kitchen. Dinner is at ten, like normal people.
Siesta policy: none on shoot days. Sadly. · Mañana: not a word in this office. · Sangría: after wrap only. · The boss: orders half a chicken. Every time.
Every postcard is a place we have shot. All of them ninety minutes from Málaga airport.
One night. One phone call. One production company on the Costa del Sol that did not go to bed. A 3D story, told by moonlight.
Press play Shoot in SpainWhatsApp DavidThe 3D story of how Spain gets fixed while London sleeps.