ENES
👋 Say hello · Proper telly people, actually friendly

Friendly voice. Twenty years of form.

The number on day one is the number on wrap day.
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SC 01 · BALLSY.TV
The number on day one is the number on wrap day

TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.

Real people answer. No call centre. No attitude. Just experience, and a Pomeranian who thinks he runs it.

📣 OUR MANIFESTO · SAY IT LOUD

Proudly Ballsy

TOTALLY UNIQUE NOBODY ELSE DOES ALL TEN.
PROUDLY BALLSY · EST. IN THE SUN

Creative Director for hire

Twentyyears oftelly.Nowyours

David Kavanagh, Creative Director. Two decades inside BBC, Channel 4, Channel 5 and ITV development. Hire him to run your slate, land your commissions and teach your team how it's done. UK and Spain. Day one to final frame.

Day one to final frame ▪ UK and Spain ▪ Twenty commissions ▪ BBC ▪ Channel 4 ▪ Channel 5 ▪ ITV ▪ British Airways ▪ Virgin ▪ Viral several times a month ▪ Never let go ▪ @david.pesellin ▪ Day one to final frame ▪ UK and Spain ▪ Twenty commissions ▪ Never let go ▪

The Ballsy mantra

Neverletgo

We take your idea by the hand on day one and we don't let go until the final frame is graded, delivered and on air. Yes, we're clingy. That's the service.

20years in development
20commissions landed
4UK broadcasters
4Mviews last month, £0 spent

The exec who still does the work

The whiteboard where formats get pressure-tested.
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SC 02 · BALLSY.TV
The whiteboard where formats get pressure-tested

Most creative directors left the edit years ago. David never did.

Twenty years inside BBC, Channel 4, Channel 5 and ITV development. Twenty commissions. Every development course going, and the one that matters most: being in the room when the answer was no, and coming back with yes.

British Airways and Virgin trusted him with their brands. Ballsy.tv goes viral several times a month without spending a penny on ads. Luck doesn't do that three times a month. Development does.

Hire him and you get a creative director who still writes the treatment, still cuts the taster and still picks up the phone to the commissioner. Stubborn, not difficult.

Hire the knowledge Keep it forever

Factual development. Higher quality. More cinematic.
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SC 03 · BALLSY.TV
Factual development. Higher quality. More cinematic

Most hired execs leave and take everything with them. David leaves it behind on purpose.

Twenty years of hard-won development knowledge, passed down to your team while the slate gets built. Your APs learn how a format actually gets picked up. Your producers learn which door, which day and which sentence. Your company gets stronger every week he's in it.

By the time he walks out, your team can do the job without him. That is the point.

  • The pressure testHow to break an idea before a commissioner does.
  • Paper that sellsTreatments and decks that get read past page one.
  • The roomPitching, reading a channel, hearing what "interesting" really means.
  • Funding done properlyModels, deadlines, paperwork, months ahead.
  • Spain, unlockedPermits, crews, locations and the access nobody else has.

The 360 Two countries. One door.

The idea is the easy bit. The funding is the job.
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SC 04 · BALLSY.TV
The idea is the easy bit. The funding is the job

UK

The channels, the commissioners, the funding rounds and the paperwork. Twenty years of knowing who to call and what to say.

Spain

The locations, the permits, the crews, the moonlight. Access from families in a media storm to police and national institutions.

Most companies hand you off at the border. We live on both sides of it.

Day one to final frame

The whiteboard where formats get pressure-tested.
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SC 05 · BALLSY.TV
The whiteboard where formats get pressure-tested

Hand held the whole way. Here is exactly what that means.

  1. Day one
    You bring a sentence. We pressure test it before anyone else can.Come to Ballsy with a sentence and we'll work together to make it a series.
  2. Week one
    The format on paper. Tone, arc, the killer episode one. Your team in the room, learning.
  3. Month one
    Taster tape, deck, funding model lined up properly. Hard deadlines hit. Messy paperwork done.
  4. The pitch
    In the room with you, or for you. We know which door and which day.
  5. The shoot
    Spain or UK. Our crew, our permits, our fixer. Nothing lost in translation.
  6. Final frame
    Graded, delivered, on air. Your team knows how it happened. Then we start on series two.

The bit nobody else can say

Other creative directors give you a deck and a handshake.

We give you a creative director, a production company, a Spanish fixing team, a UK broadcast address and a training programme for your staff, all through one door and on one invoice. Nobody else on either coast does the full 360 from sentence to screen and leaves your team better than they found it.

We checked.

Great telly without killing anyone

Factual development. Higher quality. More cinematic.
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SC 07 · BALLSY.TV
Factual development. Higher quality. More cinematic

Staff first. No bullies. Runners and talent get the same rule.

Everyone is due a fair day's work they enjoy. That was the founding principle of Ballsy.tv and it comes with David into your building. If that sounds soft, look at the commissions.

Hire David

No small-print ambush. He checked.
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SC 08 · BALLSY.TV
No small-print ambush. He checked

Day rate, monthly retainer or per project. Development slate, single format, or a knowledge handover for your team. Ask, and you'll get a straight answer within the day.

Based on the Costa del Sol. Works UK time. Answers his own phone.

The Ballsy tapas menu

The cast,
served in small plates

Five dishes. No bullies in the kitchen. Dinner is at ten, like normal people.

Siesta policy: none on shoot days. Sadly. · Mañana: not a word in this office. · Sangría: after wrap only. · The boss: orders half a chicken. Every time.

Postcards from Spain

We film
where others holiday

Every postcard is a place we have shot. All of them ninety minutes from Málaga airport.

Campaign · SC 00 · Costa del Sol · Night

The
Midnight
Hour

One night. One phone call. One production company on the Costa del Sol that did not go to bed. A 3D story, told by moonlight.

Press play Shoot in SpainWhatsApp David
The only real TV fixers based in the region20 years of UK tellyMantra: great telly without killing anyone
Next stop 02

One night. One call.

The 3D story of how Spain gets fixed while London sleeps.

The Midnight Hour →

Filed under

The only real TV fixers based on the Costa del Sol. Twenty years of BBC, Channel 4, Channel 5 and ITV. Great telly without killing anyone in the process.

Ballsy.tv

Spain and local discovery

UK television industry

Spain production services

Bear's attention-grabbing tags

Watch the campaign: The Midnight Hour · @david.pesellin