The pressure test
"We break your shoot before Spain can."
Before a single flight is booked we stress-test the lot — locations, permits, people, plan B, plan C. Problems get found early, out the back, quietly. You never even meet them.
Development, production, fixing, brands. If it needs a camera, a permit or a grown-up, that is us. The grown-up is optional.
Great telly without killing anyone in the process. Staff first. No bullies. That is the whole company.
Seven days. Three videos. Not a penny on ads. We don’t chase the algorithm. It chases us.
BBC. Channel 4. Channel 5. ITV. Twenty commissions. We were making shows before your other fixer had a logo.
Development, production and fixing under one roof. The same people from day one to final frame. Nobody gets passed to a mate.
Great telly without killing anyone in the process. That is the whole company. It also happens to make better telly.
Permits before your flight lands. 320 days of sun. A Pomeranian in charge. Bring the brief. We bring the rest.
Every industry has them. Most companies look at the floor. We name the behaviour, we protect the people it lands on, and we make the programme anyway.
Runner to exec. Same respect, same credit, same right to say no. Nobody on a Ballsy shoot goes home smaller than they arrived.
We know the entire process, so you don’t pay to learn it. Permits, crew, locations, budgets — fixed weeks in advance. That saves companies thousands. Every time.
Factual is our specialism and where we are totally unique. Bring a true story, a hunch, a half-idea. We’ll try our very best to make it higher quality, more cinematic and harder for a commissioner to say no to.
Not a slogan. A promise. Fed, paid, rested, credited and listened to. Cared-for crews shoot better pictures. We have twenty years of proof.

TV fixer and production company on the Costa del Sol. Twenty years of UK broadcast across the BBC, Channel 4, Channel 5 and ITV. Twelve of them living in Spain. Ask us anything. Daft questions welcome. We have heard them all and we answer every one, usually before your coffee cools.
Real people answer. No call centre. No attitude. Just experience, and a Pomeranian who thinks he runs it.
First call to final delivery. One team owns the whole shoot, so nothing falls in the gap between suppliers — because there isn't one. Development, fixing, production — one team, no gaps, and a lot less drama than you're used to.
Idea to delivery, we're with you the whole way. No hand-offs, no disappearing after the pitch, no 'that's a different department.' We stay, we deliver.
Not a rolodex of favours you'll burn through in a week. Twelve years of real relationships with people who are genuinely brilliant at their jobs. That's the difference.
Locations, permits, talent, the impossible ask. You bring the problem, we bring the yes. We make complicated look effortless — because to us, it is.
We're cheaper than the competition. We are not cheap — there's a difference, and it's the difference between an invoice and a partnership. We're top of our game — and your money buys a partnership, not an invoice. We work with you until it's as brilliant as it can possibly be. That's the deal.
You'll pay for it, and you'll get the villa, the permit, the light and the parking — the four things that quietly eat other people's budgets. We're the Ballsy bastard TV people. Sticking out is the job. Regret isn't on the rate card.

Clear skies most of the year and night permits sorted before you land. The moon lights it, we run it, you make your morning flight.
That's the whole service. Everything below is how we keep that promise — the most professional support a production can have, delivered by people who are clearly having more fun than you.
"We break your shoot before Spain can."
Before a single flight is booked we stress-test the lot — locations, permits, people, plan B, plan C. Problems get found early, out the back, quietly. You never even meet them.
"Real funding. Really messy paperwork. Really our problem."
Spain has serious funding models for serious productions. They come with hard deadlines and paperwork that could stun a horse. Come to us months in advance and we do it properly — you keep the budget, we keep the migraine.
"The moonlight glow isn't in the brochure. It's better in person."
The food, the culture, locations that look expensive because they are. Sun, sea and a light that makes everything aspirational — your show simply looks richer here.
"You can't invoice your way into a relationship."
Twenty years of doors that actually open — families in the middle of a media storm, police, national institutions. We know the stories, we know who to call, and — crucially — they answer.
"The landscape, the people, the permits. Arranged. And more."
From that first sentence to the final master, one team stays on it. No hand-offs, no "that's a different department." We stay, we deliver, you take the credit.
Prefer email? david@ballsy.tv — subject line: MY SENTENCE.

Fed, watered, in the sun and still smiling at wrap. That is not luck — that is twenty years of logistics wearing sunglasses.
Ballsy.tv gives UK broadcasters, indies and branded-content teams one production partner for Spain: development, local fixing, location scouting, permits, contributors, crews, transport, kit, schedules and delivery. Bring us the shoot. Keep the credit. We are generous like that.
Bear supervised. Nobody was consulted. This is the same team that will run your shoot, only with permits instead of chillies.
Meet the circus →
Marbella mansions, clifftop pools, old-town courtyards — scouted, agreed and release-formed before your recce, at prices that survive a producer reading them.
Five dishes. No bullies in the kitchen. Dinner is at ten, like normal people.
Siesta policy: none on shoot days. Sadly. · Mañana: not a word in this office. · Sangría: after wrap only. · The boss: orders half a chicken. Every time.
Every postcard is a place we have shot. All of them ninety minutes from Málaga airport.
One night. One phone call. One production company on the Costa del Sol that did not go to bed. A 3D story, told by moonlight.
Press play Shoot in SpainWhatsApp DavidBecause the alternative is a six-week email chain and a rained-off shoot in Kent.
Why us →Full service means one number to call and nobody else to chase: from the first mad idea to the last hard drive in a taxi.
The 3D story of how Spain gets fixed while London sleeps.